It's not historically accurate, as i do not believe that the cars were this close at any time during the race. It is a homage after all.
Saturday, November 11, 2006
Homage To 66
In 1966, Mini Coopers took 1st, 2nd, and 3rd in the famed Monte Carlo Rallye. However the French did not want that to stand and wrongly disqualified the BMC team, putting a Frenchman on the winners stand. Even he refused the prize because of the injustice.
It's not historically accurate, as i do not believe that the cars were this close at any time during the race. It is a homage after all.
It's not historically accurate, as i do not believe that the cars were this close at any time during the race. It is a homage after all.
Friday, November 10, 2006
Thursday, November 09, 2006
Saturday, November 04, 2006
Thursday, November 02, 2006
Inspired By my Son
When I was painting the GT40 illustration, my son kept asking me questions about it. I told him that it was built to beat the pants off of Ferrari. At six, he thought that expression was funny. He then asked, "how about their underwear"? I told him, sometimes. He's been telling everyone that the GT40 beats the pants off of Ferrari. Well, I did this one for him. i'm not sure i'll finish it - it has some problems. I'm sure he'll like it though.
Friday, October 27, 2006
Thursday, October 26, 2006
Thursday, October 19, 2006
Wednesday, October 11, 2006
Painter Demo
Did another process demo in painter.

First - start with a value study. Block in your shapes, considering your light source and your focal point. It is the apple in this image.

Next is the intitial color wash in digital watercolor (simple water brush). I like the digital watercolor because it allows me to paint from dark to light - and because it allows me to tint my value study.

Next,I dry the digital water and then use a custom airbrush to paint opaquely over the image. I push the highlights, color saturation, tints and shades at this stage - trying to keep the most saturated area in the middle values on the light side.

Adding more detail with the opaque mediums. A cool wash over the entire image in digital watercolor is then applied. This is done to unify the shadow areas. Next is to pull back the warm/light side by using digital watercolor set at white.

This could still be taken much farther. It's just a matter of detail now.
First - start with a value study. Block in your shapes, considering your light source and your focal point. It is the apple in this image.
Next is the intitial color wash in digital watercolor (simple water brush). I like the digital watercolor because it allows me to paint from dark to light - and because it allows me to tint my value study.
Next,I dry the digital water and then use a custom airbrush to paint opaquely over the image. I push the highlights, color saturation, tints and shades at this stage - trying to keep the most saturated area in the middle values on the light side.
Adding more detail with the opaque mediums. A cool wash over the entire image in digital watercolor is then applied. This is done to unify the shadow areas. Next is to pull back the warm/light side by using digital watercolor set at white.
This could still be taken much farther. It's just a matter of detail now.
Thursday, September 28, 2006
Saturday, September 09, 2006
Friday, September 08, 2006
Thursday, September 07, 2006
Saturday, August 26, 2006
Wednesday, August 16, 2006
Tuesday, August 15, 2006
Restoration Update
Wednesday, August 09, 2006
Tuesday, August 08, 2006
Monday, August 07, 2006
Will Rogers
Wednesday, August 02, 2006
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